1. The Blood on Satan’s Claw — 1971:
Notes: Part of the aesthetic that I like from this movie is having it take place in the 1800s, where style was completely different. It’s almost got a Ren Faire kind of vibe. I guess most of the screenshots I took don’t really show that, but leathers, linens, and older looking clothing styles could be something fun to experiment with. I was already planning on bringing lots of scarves as well.
I love this angle. It’s like she’s invoking over the camera’s perspective. The viewer is the “candidate”. Delicate but also imposing. This facial expression is weird, but I like the floral crowns. The camera is in the crowd, adoring the prophet. A lust for divergence. Acting upon that lust. She’s handing him a knife. I like the perspective behind some trees/rocks. A snapshot of a gyrating dance after she hands over the knife. Her pose was interesting, as is her “dance.”This one was hard to screenshot in a natural way, but I like the feather quills in the foreground. Moonlight through the window. Her eyebrows get thicker as she becomes more divergent. I love when a shot is purely focused on eyes.